The work of Bristol sound co-founder Geoff Barrow, this scabrous though undernourished debut feature casts a critical gaze on the ecstasy-fueled club scene. Self-serving drug user David (Marc Bessant) initially steals from an passed-out supplier, then in a later recollection tries to break into his own family home. Before you can say, he's upside down in the wreckage of his car in a woodland – and subject to the angry eye of the Woodsman (vocalist Jason Williamson). Declining to free David, with no time for townies, he is a fractured society embodied: “You’re one of those loud individuals from up on the heath.”
A Shaky Start and Darkly Funny Duel
The film begins uncertainly, spending too long on pedantically chronicling David’s attempt to free himself from his seatbelt, while clumsily segueing into past scenes of his normal activities. The central theme – that the ecstasy generation were primarily out for themselves – is clearly conveyed. But these vignettes are insufficiently developed to properly prime us for what to expect when the Woodsman turns up, enraged after David strangles his dog. Nevertheless, a darkly funny standoff unfolds – David eager to get away; the Woodsman denying his container of scrumpy, intent on soaking him instead in resentful talk. Williamson, projecting heavy threat in the role, is evocative of Michael Smiley.
Stylish Imagery and Promo-Inspired Sensibility
There is only one important plot development, but it leads to a hilariously staged chaotic run on the woodland paths that veers toward folk horror. Filmmaker John Minton finally gets to go all in with his ostentatious visuals: where he was hunkered down doing artful shots of insects in the light in the opening part, he now goes all out with the full psychedelic grand display, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an extended promo than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into successfully graduating from the Brit music promo scene.
The film is in British and Irish theaters from November 17.
